Featured image by Dan Norman: William Connell (Elyot Chase) and Laura Odeh (Amanda Prynne).
PRIVATE LIVES
by NOΓL COWARD
directed by DAVID IVERS
scenic design by Alexander Dodge, costume design by Meg Neville, and lighting design by Pablo Santiago
Wurtele Thrust Stage
July 18 β August 23, 2026
TICKETS: www.guthrietheater.org

A lighthearted buzz and excitement filled the air around the opening night of Private Lives. I couldn’t wait to see it! Private Lives is considered a comedic masterpiece and NoΓ«l Coward’s most famous work. He famously wrote it in four days and starred in the original production. It is a Guthrie Theater audience favorite, with this being the 4th production.
Private Lives is about ex-lovers who unexpectedly show up at the same popular resort with their new spouses for their honeymoons. Divorcees Elyot (William Connell) and Amanda (Laura Odeh) called it quits over five years ago, not because they didn’t care or love each other, but because their relationship was toxic. Their new spouses, even after five years, are convinced that Elyot and Amanda still want to be together. When the couples realize that they are all at the same hotel, chaos ensues. Elyot and Amanda must decide whether to follow their hearts. At times, it’s hard to know if they love or hate each other, and they keep you guessing.

REVIEW OF PRIVATE LIVES at the Guthrie Theater in Minneapolis
I struggled with this one and purposely used the word “toxic” to describe their relationship. This show is very romanticized, which brought up feelings for me. Why are we laughing at people slapping each other around? I know it’s a comedy, but maybe that is part of the overall problem in society. We joke and brush things like this off until something really bad happens. I kept thinking about young girls (recommended for ages 12 and up) watching and how we make this relationship seem acceptable by laughing and laughing. Have others been in this type of relationship? Because it’s not funny. It’s awful.
That said, the acting and the set design are superb. And there were plenty of times that we laughed. I especially enjoyed Laura Odeh’s (Amanda Prynne) comedic timing. It was a nice surprise to hear a piano as we were seated, then see Bradley Beahen (Piano Player/Louis) on top of the set! I’m still wondering how they got the piano up there. π

In a future production, I’d love to see this relationship addressed instead of being romanticized. Which I think could have easily been done as part of the show.
Run time: Approximately 2 hours, 15 minutes (including two intermissions).
Β©Tracy Blowers

























































